cherry blossom prints

it’s march and we have pink, white, and yellow blooms all over our neighborhood here – signs of spring!

tree in our front yard

one of my favorite spring blooms are cherry blossoms. i adore their soft pink petals. with spring in our hearts, we went to a friend’s house yesterday for a playdate. novi and i brought along some simple art materials: paper, sharpies, and a pink stamp pad. because the kids were going to make fingerprints, i got the water-based, washable, kid-safe stamp pad, as opposed to the dye-based kind. i have to say that it’s not very washable anyway, and i’m disappointed that the pink my store had was more hot pink than the beautiful pale color of a cherry blossom. oh well, next time.

regardless, the girls went to town making lots of fingerprints on small rectangles of white paper.

we noticed they preferred to use just one pointer finger, so we encouraged them to use several fingers at a time to cluster the pink dots, much like the tree would have clusters of flowers. (they didn’t really care about that though.)

the more random the pink splotches, the more full and fluffy the trees turn out to look. after we had several little sheets of fingerprints, the kids were ready to play and dance, so we mommas sat down with our sharpies. we made branches connecting the little pink poufs on the page to create the cherry blossom trees.

must clarify that my tshirt was a happy matching accident - must have really had cherry blossoms on the brain!

after the playdate (and lunchtime and naptime) we gathered up some materials to glue the little tree pictures to cards, and embellish them with rhinestones, sequins, and glitter glue.

the finished cards would make sweet “happy spring!” cards or even nice mother’s day cards.

an alternative to using fingerprints would be to use a paintbrush and some (pale) pink watercolors, but i figured that when making these into cards for family, they always cherish little paw prints.

last year, novi loved washington, d.c.’s cherry blossom festival. because we’re on the opposite coast this year, we won’t be able to go again, but we have these sweet images, memories, and art-making.

1 year ago at the cherry blossom festival, d.c.

happy almost spring!

03.04

2010
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let’s talk about art

so, your kid made some art. now what? as most of us caregivers know, there’s the clean-up and the figuring out clever ways to display and/or store the art. true. in my pre-mommy role as an art therapist (to which i plan to return once kindergarten allows me the time,) i learned that the art-making part is just one part of the creative process. of course there is contemplation of what to make, preparing for what to make, making it, and then there is also another very important step in the creative process, which is unfolding meaning from the image. this is a HUGE topic in the art therapy world with a scope that’s way too broad and sometimes esoteric for a blog like this one, so i will try to extract and provide here just a few useful suggestions that parents, teachers, or caregivers of little ones can use when engaging in art with our small friends. i should note that these tips are most applicable to art-making that comes out of free play or free drawing/sculpting time… not so much the highly directive crafting projects.

influential art therapist, janie rhyne, once said that form leads to content, which is to say that the images that any artist (aka: your child) makes contain the stories, emotions, intellect, and world view of the artist. don’t miss out on the rich opportunity to engage in uncovering the gems embedded in the lines, shapes, and colors that come forth from your child’s imagination. not only will you learn something, but this step in the process often makes the unconscious conscious for the artist — or to speak plainly, it can help your child’s idea to come full-circle and be integrated into his or her everyday life.

here are some respectful ways to approach talking about your child’s art-making and art product:

during art-making, be an active observer by assisting as a “third hand” when the artist might need help. for example, using scissors to cut something a child may be unable to cut or getting a fresh glass of water to rinse used paintbrushes, etc. also, while your child engages in the art-making process, you can support this by reflecting back only what you see. you can reflect verbally (“i see yellow lines across the top of your page”), non-verbally (mirroring the child’s affect or posture) or graphically (making art alongside the child copying the child’s artistic “handwriting” -so to speak- as a way to communicate: “i am paying attention to you.”)

once the art product is complete, approach the image with a humble curiosity, never assuming that you know more than the artist knows about what it is or what it means. i often describe the respectful way of talking about art to be the opposite of a dream-decoder book. you know, the books that say “if you dreamt of a pig, you are greedy or stubborn.” nonsense. art symbols, just like dream symbols, are unique to the artist. for one kid, a pig might be the scary boar he saw at a state fair. for another kid, a pig could mean the sweet, soft, cuddly friend he hugs when he goes to sleep at night. (sure, there are symbols that arise that reflect the collective unconscious, etc etc, but that’s a whole other can of worms.)

"this guy is sad because mommy said he can't drive the car" (car in brown, upper left)

to keep this objective attitude, you can try to visualize the art object as a separate entity that has entered the room, and engage in conversation with your child about it. for example, ask your child the simple question, “what do you see?” to begin. trust the artist’s words about their own art. if you have a younger child who may not have the ability to describe the art, you can plainly tell about what you see. be careful not to interpret what the image “must be” or what it “looks like to [you]” or what it means. just describe the lines, shapes and colors that you see with your eye. by describing the image, meaning comes. (again, form leads to content.) so, now your conversation may lead into a story from the child about what s/he drew, who is in the picture, what is he doing, what is happening, what is he feeling, why is he feeling this way, etc…

another fun approach is to dialog with the art itself. kids are great at pretend and imagination, so suspend any adult self-consciousness and your disbelief and go for it with them. “if the duck that you drew could talk, what would he say to us?” (only after child has identified that her picture is, in fact, a duck.) then you, your kid, and the duck can have a full-on conversation. stay within the metaphor, behind the safe veil of play. allow the meaning to unfold organically. you don’t need to translate the play into what it must really mean in the life of the child, at least not out loud. this sort of imaginal dialog with art allows the art piece to be projected upon or acted upon by the child, which can often externalize the child’s internal world (and get out feelings s/he may be harboring.) try to curb your own inclinations to change, brighten, or smooth over content that may seem angry or violent or negative to you — art is a safe playground. art provides an opportunity for sublimation of the darker side of being human, and for a child to be able to do this through art is a sign of health. if the child seems to be looking for a way to ameliorate a darker situation in his or her own art, you can certainly follow his/her lead and provide assistance in changing and moving the story. even when helping with this, be sure to allow space for the child to exercise internal resources to arrive at his or her own unique solution and make choices.

the mean yeti

when looking at someone else’s art, always check in with your own biases and opinions. if we were acting as a child-centered art or play therapist, the rule would be not to criticize or (get ready for it) praise the art or the behavior. as a mom, it’s hard not to say, “that’s a beautiful flower you drew, sweetie!” but honestly, as supportive and nurturing as that statement is, it doesn’t provide the type of positive reinforcement that the examples above on how to talk about the art can give to your child.

above all, be authentic. be yourself. art making and art talk shouldn’t take you outside of your role as mommy (or daddy, teacher, grandma, babysitter, or whoever you may be to the child.) your child depends on your voice, your context, and your consistency. coloring with your kid at home every day isn’t art therapy, so there are no hard and fast rules. these are merely suggestions for ways you and your child might get more out of making art together, and suggestions for what to do when the art is complete and how to learn from it. if you want more info on art therapy or recommended reading along these lines, you can check out my professional web site’s art therapy page or feel free to contact me with questions.

being witnessed and feeling seen are huge confidence-builders for any human being, especially our little friends who are forming their sense of self in relationship to the world. the art process allows cargivers a really concrete way to give children the affirmation they need.

"mommy, i drew a jellyfish!"

03.02

2010
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rose beads

here’s another one of those art activities that starts out with the best intentions, and then falls sort of flat in the end. though, it is my aim to share all of our art-experiements with you, dear readers, so that maybe you can try it with better luck, perhaps, and learn from our mistakes.

my sweet husband brought home two dozen beautiful red roses a while back. we’re not big fans of purchasing cut flowers over here (lovely as they are, they are kind of a waste of money and our cats usually just eat them, knock over the vase, and later vomit flower-parts up onto the rug.) regardless, the roses were romantic, and quite pretty for that temporary while. and husband assures me they were on sale. hopefully this blog comes at just about the time when your valentine flowers are dunzo and can begin their second life. when my roses’ vibrant petals started dropping, i thought there must be something we could do with them.

a zillion things came to mind from rosewater to rose baths (but who am i kidding? i hardly soak in a bath anymore and who knows if there are pesticides on these) to potpourri (but that just collects dust at grandmothers’ houses, right? gross.) so i googled a bit, and found out about rose beads. alright, cool and useful recycling, i thought. i’m a long-time beader… and maybe novi will enjoy this. i figured i could make a meaningful, very personal mala from these… so novi happily helped me to pick off the wilted petals.

then i followed the instructions for rose beads that i found on learn to know, and ground up my limp (but not dried) petals in our food processor until they were couscous-like.

the next step was to simmer the petals in just enough water to cover them, using a cast iron pot. i don’t have a cast iron pot, so i just used a regular one. the thing i read promised that our house would smell delightful. WRONG! it started to stink. i am not sure why, but it kinda grossed us all out.

after a few sessions of boiling, we squeezed out as much water as we could (through a screen strainer) and let the pulp dry by keeping it out for a couple of days. after it was a tacky consistency, we were able to pinch off pieces of it to roll into little balls. if it’s still really wet at this stage, the balls fall apart easily, so i’ll forewarn you that your little friends with tiny fingers can get easily frustrated by this. make sure it’s kind of like paste before you begin this step with a kiddo-helper. (i regret not taking a lot of photos of this as we did it, but i didn’t really know if it would be blog-worthy at the time. honestly, i still don’t know that it is, but i do know that it was a lot of effort expended… read on…)

so we placed our rolled rose petal balls (which smelled a bit putrid, i have to admit) onto a piece of cardboard and let them dry out in the garage for days.

the thing is, i was supposed to wait until they were mostly, but not totally dry, and stick a pin or a stiff wire through them to make holes in each bead (to string it!) but i neglected to do this, as i forgot they were out there. weeks turned into months. uh oh. now we are left with some hole-less, spheres of dried rose petals… i imagine i could put sturdy beading wire through them and still string them as a mala strand or even a mala bracelet… but i may just chalk this one up to an art-gone-wrong activity. somewhat due to the stench (why?! maybe they had pesticides on them?? they were grocery store sale roses afterall…) and mostly due to my negligence in attending to them at the proper stage for piercing.

we’re open to suggestions… what should we do with these little floral orbs now?

02.26

2010
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